Planning

I am not a good planner and I procrastinate a lot. Now we have decided to move back to Scotland; we need to downsize considerably! Although it will tug at our hearts to get rid of our book collection, that is relatively easy. We did that to come here and I still miss some of those books 20 yrs later. Art on the wall (not my work), equally easy. Just take the originals or get the kids to chose which ones they want. Two pieces might be an issue as they are both large and are artworks by my two daughters. I don’t think they want them. My biggest headache will be my artwork. I have stuff from high school, my foundation course and my degree course. Then I have the work I have made in 40 yrs since then! As I have never sold anything, I have been hoarding a lot of work, and I don’t want to get rid of it! But I will have to been strict with myself and burn work that really should have been gone a long time ago. It’s not as if I don’t have a record of my artwork; I have photographed (poorly) most of it already. Plus, I don’t think people will be clambering to get hold of them once I am dead and buried, much as I like to delude myself. Ah well, I have about 30- 34 months to get my sh## together

On the creative side, I have had a more productive month. I finished both of the Lisa Walton courses.

This is my piece for the Aurora course.

I was very happy with the outcome of this quilted piece. I had forgotten how much I enjoyed bead embroidery as I have been concentrating on teaching myself various quilting techniques over the last few years.

I also dyed my own fabric on this course, using it like paint, rather than immerse the cloth. I plan on doing more this month plus some indigo dyeing. I tried out bobbin work in some places. It was fine but I think I prefer to hand embroider to get a similar effect. Obviously its quicker, so I won’t say, never again. Finished size 19.75 x 14.5 inches (50 x 37 cm)

Fantastic Fusion

The next project was based more on a traditional quilt. By fusing the fabric before I cut it, the design became more flexible. As there were no seams, it wasn’t bulky and using Mistyfuse as the base made the result more like making your own fabric. I decided to free motion quilt the surface as if I was doodling on a page. There was only one area that didn’t work after I quilted it. I promptly unpicked it! Hopefully, not a mistake I will make again but I probably will. This piece ended up measuring 17.5 x 20.75 inches (44.5 X 53 cm) I finished it by facing the design, rather than do a traditional binding that is generally used in quilting. I also added hanging triangles so it could be hung on a wall. I also faced the Aurora piece like this, as seen above the Fantastic Fusion image.

I loved using Mistyfuse as a way of creating a design. I will continue to use it in conjunction with the painting of the fabric. I am feeling much more optimistic about this direction my work is going. I have already started another piece. As I listened to Kate Bryan’s podcast “How to be an artist”, I was mulling other ideas that were percolating in my brain.

Now I need to get the sketchbook out and work on those ideas. Yes, sketchbook, something I don’t use much. After Susan Shie’s class, I realised that although I couldn’t continue with that way of working, I need to use my sketchbook more to ramble around my brain.

Selfie with big hopes

This was the first drawing assignment given by Susan Shie for her Facebook drawing challenge group.

This is what I wrote about the drawing on the Facebook group, amended slightly:

I was nervous about this, like other newbies. It pretty much out of my comfort zone but that is why I joined the group. So I decided to put a confident face on it! The drawing just drew itself in the end. In September, I hope to fly to London and attend my niece’s wedding. 3 weeks later, my youngest daughter is getting married While I was in bed one day, I was looking at the accumulation of ornaments on the top of our bookcases. I thought its a shame, that unless I tell my family, their stories would be lost. Some of them, the story is already lost as I have forgotten. So I decided I will get back to still life painting but not like I have in the past with nice objects I have found but with objects that I can relate to and hopefully convey to a broader audience. Since lockdown, my husband and I have forgone our weekly visit to restaurants and going to the cinema. We haven’t even had a takeaway! At the beginning of lockdown, there was just myself and my husband plus my son in the house. In April my eldest daughter moved in with her daughter. They briefly went up to NM to see my grand-daughter’s Dad but since August, we have had a full house. My poor grand-daughter has basically been stuck in doors for most of the last 10.5 months as I have auto immune issues plus I am in just in age risk category . So I am looking forward to having the vaccine so life can get back to normal.

On Instagram I wrote, again amended for some spelling mistakes🤣:

Completed the Ist drawing of my drawing class. This is different from the way I normally work but I enjoying it. For a start the sketch pad is enormous! 11×14 and we are draw(ing) across the 2 page spread. I am use to doing tiny little reference sketches, if I sketch at all! Next up ‘let Freedom ring’ Have some ideas but still formulating them into some coherent

I had decided to join this drawing challenge (class) as I had seen a video on Youtube where Lisa Walton interview Susan Shie. I had seen Susan’s quilts and drawings in the past and thought it was amazing. So when she mentioned she runs these month long sessions on Facebook, I didn’t hesitate to join.

It has been a great experience and a big learning curve for me. Unlike my comment above, I am not sure that I will be doing the still life themes, at least not as paintings. I might make them as fabric collages. I am missing working on my sewing machine but that is also one of the reasons why I thought I would take part in this group as I am terrible at doing research and using a sketch book. As a student at Camberwell, I had a sketch book in my bag all the time and would draw as I was on the bus, waiting for a bus, in the bar etc. By the time I moved to Bath,(Corsham) I was trying my hand at more imaginative drawing , like you do as a child. I was never very successful at it. I don’t see pictures in my head as, I think, narrative artists do. I know it just a matter of freeing up the brain and retraining it. I think I am better with at doing narrative themes when I am working in textiles for some reason.

An example of one of my earlier textile pieces.

Why? an improvised small wall quilt in 2018.

At the time, I basically responded to a question that keep popping up in my head at the time, “Why” I think it was in response to T***** and his supporters at the time. Part of the reason I don’t remember how I came about with this idea is because I didn’t use a sketchbook or write down what I was thinking. It was quite spontaneous and I used scraps of paper to work it out. They are now lost.